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To begin our second filming session which would finalize the filming for our opening we went to a local library as its quiet environment, ease of access, and empty areas with tables would provide an ideal location to film these dialogue heavy shots and that fit into a similar aesthetic of one that a therapist office would have.
Due to me arriving later than the time we scheduled we had a limited amount of time to record before the library closed, surprisingly I think this helped us more than it hurt us as it put us on a time crunch and kept us focused making every take more meaningful and higher quality out of fear of having to record another take and waste our limited time.
The first shot is a technical transition between Lilly closing her car door from the previous scene to Dr. Fernandez shutting his binder. To film this angle, I had to almost lay on the table to get a close-up shot of the binder and took multiple takes because it was the first shot of the day, and we kept mistiming the shot.
The next sequence of shots is filmed in a shot-reverse-shot format where I cut between Dr. Fernandez and Lilly as they have a conversation discussing Lilly's mental health, I filmed this shot by kneeling next to the table and shifting in between characters. This sequence is also the first part of the film opening that includes dialogue. This led to many takes where Samuel or Laila would blank on their lines and had to go back to review what they had to say.
The shot then cuts to a 2 shot of the characters talking showing their distance from each other and providing a smoother flowing conversation. I filmed this by propping up a chair and using the 0.5x camera feature to fit both characters in frame.
Lilly is then shown to become aggravated due to Dr. Fernandez's lack of care. This is when the camera cuts to her, and I can be seen behind her as the shadow figure. I achieved this by putting on a black zip up with the hood up and a black ski mask worn backwards to not show my face. This shot was filmed by Samuel and was done in one take.
The scene ends with Lilly standing up which was done by a point of view shot achieved by Laila holding the recording phone up to her face as she stood up. The shot then cuts to a panning shot of Lilly storming out of the shot which then pans back the other way to show Dr. Fernandez unbothered.
This part of the filming session was very successful as we efficiently got quality shots in a time crunch. The only difficulty we faced was the actors remembering their lines or staying in character. Overall, this section was successful and adequately adapted the script into visual media.
After adding editing the first part of the film and adding visual effects, the next step was adding sound effects to give the product detail and depth that follows our script.
The 2 main sound effects being a continuous loud heartbeat and a piano stinger to be used as a startling sound.
To find these sound effects Samuel looked at free sound effect banks to avoid copyright. Finding the stinger was simple and did not take long, but finding a heartbeat sound that was high quality and could be looped was difficult as many of the files we found contained clicking or sounded off. In the end, we settled on a short heartbeat that would need to be edited to be used.
To edit the heartbeat I went into FL Studio a Digital Audio Workstation and imported the heartbeat sound effect where I used an equalizer to slightly boost some of the bass of the audio track to give it more impact, I also added a slight reverb to add a small amount of echo, looped the heartbeat to make a longer track that could be used for longer and sped up the audio track a bit to make it sound like a raised heartbeat.
I then went into the edited project and added the sound effects to the project making sure they fit what was on screen and that they did not leak into other scenes, while ensuring the sounds were loud enough to be clearly heard.
After a successful filming session where we were able to effectively get shots that went up to the end of the house scene, which is about half of our film, we are ready to begin editing.
Me and Samuel took the time and combed through all the takes we filmed and picked out the best one for each shot and scene considering how they would mesh to form a cohesive film without harsh cuts.
We then went into Adobe Premiere Pro and imported all of the clips and placed them into the sequence in order for better organization.
I then went clip by clip and trimmed the takes to only show the acting cutting out long spaces between dialogue and manipulated audio to remove clicking or excessive background noise.
After putting all of the clips into the timeline and trimming them to create a continuous clip, I added visual filters to shots to change the tone of the film, I based the filter off of a preset visual filter in Premiere Pro, then color corrected the filter and lowered the exposure to create a more cinematic look, as well as a more grungy, dark look that fits our genre.
This visual filter allows us to subtly change the tone of the film and allows us to bypass limitations, specifically the time of filming which did not allow for low key lighting as the sun was making the shot too bright.
This process tested my creative and technical elements as I had to recall how to use certain features in Premiere Pro and apply them creatively like fading in shots or syncing cuts between clips to line up shots and avoid harsh jumps. I personally enjoyed this process, and I had been looking forward to editing since we began the research process. Now as a team we will watch the first part of our opening and make any revision as we prepare to film the second part.
The final scene of the filming session is of Lilly being tracked through the house to the fridge where she sees the shadow figure and runs out of her house and into her car.
The first tracking shot begins with Lilly walking out of the bathroom past the camera and through the living room into the kitchen, to film this I panned as Laila walked out of the bathroom, then let her pass me so I could track her walking through the house.
This was done in one take without a need to retake the shot, I did have to be mindful about a mirror which can be seen in the photo below to avoid being seen, this caused me to angle myself so that when I walked past it the mirror would not show me which would ruin the scene.
We then cut to her opening the fridge and used an over-the-shoulder shot and a mid-shot to show her grabbing water out of the fridge
The shot then shows Lilly closing the fridge door and the shadow figure appearing on the other side causing her to panic
This leads into a tracking shot of Lilly panickily running out of her which I recorded by running behind her while adding manual shakes to the camera to show a sense of panic. In this shot I also had to be mindful of the mirror again to not show myself in the frame.
These tracking shots were more simple and manageable than we expected, also due to modern technology keep the camera steady while walking is made easier through built in stabilization features, which actually caused me problems when trying to create a shaky shot as it made have to exaggerate the amount of shake. Now I will edit the first part and receive feedback from my teammates to finish the first half while we schedule another filming session.
For the final shot of the scene Samuel put on a mask and stepped behind the shower curtain, this is the first time the shadow figure is shown and required me to get back into the same awkward filming position as the first shot, but is a great way to introduce the shadow figure in a conspicuous way. After filming the scene of Lilly waking up, which was filmed in my bedroom we next began filming the scene where Lilly goes to the bathroom and washes her face, to avoid a long empty scene of Lilly walking to the bathroom we cut to a scene of here already washing her face, this still fits into the scripts and does not interrupt the flow or make a harsh, awkward cut.
To get this shot I had to get into an extremely uncomfortable position where I had to hug the wall while kneeling and wrap my body out of the doorframe while keeping the camera still and holding it at a slight angle to avoid my arm being in frame, luckily this shot did not take many attempts but it made me get into a very uncomfortable position, this also shows our problem solving skills as we had to improvise since he had no way of sticking the filming phone to the wall.
The next shot was filmed by Samuel as it required the phone to be held facing Laila as my arm was not long enough to hold the camera where we needed it to be as my arm kept showing in the frame.
My team and I have now officially begun the production of our opening during our first filming session. We filmed all the house scenes and now will continue editing and revising the first part before moving on to a second filming session.
The first shot of our opening is of Lilly waking up out of her sleep startled from an overhead view, to achieve this angle I had to stand on my bed to prop the camera above her face, this shot made me realize that get the angles we planned in our script I would have to think outside the box and find a way to take the shot.
This shot took longer than expect as it was our first time actually filming and we had issues with bad timing and needed multiple takes to get a good shot.
To begin the production process of our film opening we needed to make a title card with a logo for the movie. I began by looking for a font to make a movie logo that will match the theme.
In the end, I chose "Drunken Hour" due to its more unique look compared to the other font which had a more simple look that would be too basic.
As we prepare for filming after creating a storyboard and script, it is now crucial that we choose locations to film our opening to save time, and those locations need to fit the vision we created through the descriptions in the script and the drawings from the storyboard to make a high quality product that has a good flow that makes sense between scenes to not cause confusion to viewers.
Bathroom:
Kitchen:
Library:
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